![]() Whether it’s acknowledged or not, their impact on the punk scene can still be felt today. Their lyrics often feature far-fetched similes, metaphors, word play and obscure allusions. Their music has been described as a cross between Hüsker Dü and Motörhead a notable element being Stubbs’ rasping ‘gravelly’ vocals along with killer riffs, and an underlying pop sensibility that earned them a cult following. ![]() Leatherface never achieved the success they deserved. After the split, the band released a posthumous mini album The Last in 1994 – before Stubbs and Laing reformed Leatherface in 1998 ( see below). ![]() Another superb album, as much experience as music.”Īnd then it was on to new things. … it’s impossible to take for granted this kind of tuneful, flexible, well-executed pummeling, especially given Stubbs’ ability with a lyric pen. Here’s AllMusic again on the fourth album, Minx: “a ferocious force to be reckoned with, and when it scales its highest peaks, many songs still pack one f*ck of a wallop. Furthermore, in I Want The Moon, Leatherface had written at least one bona fide punk-rock classic.” According to AllMusic, Mush is “one of the most intense records of the 90s, with some of the fiercest playing and song dynamics … it’s now considered one of the best albums of the decade. In 1991, Stubbs, Hammond, Laing (with yet another bass player Steven Charlton on board), recorded their third album Mush at the Greenhouse in London. Leatherface moved to Roughneck Records (a subsidiary of Fire Records of London) for their next three albums, starting with Fill Your Boots in 1990 with a change of bassist and location.
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